Showing posts with label Ursula Curtiss. Show all posts
Showing posts with label Ursula Curtiss. Show all posts

Sunday, November 09, 2014

Lookit lookit what I found! More Ursula Curtiss

So I'm was browsing the bookshelves in a charity shop I don't often go to (but when I do I ALWAYS find something), and lo:


Isn't it just a lovely paperback! The story was quite good too, but having now read two Curtisses I am starting to form the opinion that there is a little bit too much of the coincidence in the storyline. I'm not sure I buy the premises completely. Nonetheless, I liked this. Victoria Devlin has been asked by a friend to stay at her grand house for a weekend and pretend that the friend is there but very ill and can't receive visitors. In reality, the friend has gone away to sort out some sort of important business - Victoria doesn't know what. What is her friend afraid of? Then a murderer escapes from a nearby asylum, a murderer who kills his victims with a sickle ... DUN DUN DUUUHHHNN.

What I don't understand is why the Americans don't do more filming from the wealth of good suspense stories they have from the Golden Age of detective fiction. This stuff beats almost all of your modern scripts. A bit of retro flair, some Mad Men type styling - you could rake in the cash, surely. Instead we have the English filming Agatha Christie twenty million times. I call misogyny in the US to be honest. When we learn about American crime fiction from say the first half and a bit of the 20th century it's all men and Marlowe. The Story of Film (such a brilliant programme!!!) brought up and showed the huge part that women played in early cinema, something that isn't at all plain if you read about the history of films in the mainstream works on the subject. You'd be forgiven for starting to see conspiracies, a conscious wiping-out of female contributors. I call another one. :/Class, please discuss.

These pulp-type paperbacks also have those great ads at the back where you can send off for more of the same. There are ads for two Curtiss books that I'd quite like to read, then some others that meh, not so much. Knock 3-1-2 and The Lenient Beast sound like vile shite.





Just fantastic.

I fingered another pulpy novel when in the shop, but decided not to get it. I can't justify dragging home books just because the cover art appeals to my sense of nostalgia and my childhood memories... but look at this:


I REGRET IT NOW.

Wednesday, October 15, 2014

Curtiss, Reilly


I owe these next two "reads" (oh how Dorothy Sayers would spin in her grave) to the most excellent blog Pretty Sinister Books. It is devoted to little-known or forgotten genre fiction and a veritable treasure trove for the likes of myself. It's pretty much (no pun intended) what I'd like my own blog to be, had I but been more clever and/or dedicated beyond the stumble-upon approach to literature. I've only just discovered it and find myself bookmarking all the posts. Sadly haven't had a chance to read the whole blog though.

Anyway, blogger John wrote a post about Ursula Curtiss novel The Deadly Climate, a post which also touched on Curtiss' mother, also a well-known and popular Golden Age author, Helen Reilly. Go and read it.  I'd never heard of either, jumped on library website, discovered that both authors were represented in Swedish translation only and buried in the cellar storage to boot, so I ordered one from each immediately. Thanks to interwebz I found out the title of The Deadly Climate in Swedish (Mördande atmosfär), so I got that one. Now, just look at the retro folks (and at my fingers and feet and the tube of vaseline that needs to be put away in the bathroom):

I started with Helen Reilly's novel Mourned on a Sunday (Sörjd på en söndag), because logically one should start with the mother and not the daughter, right?


Once this belonged to Svinnegarns församlingsbibliotek (Svinnegarn parish library). I just love that. Svinnegarn is a little place not far from Enköping. The church is a dominant building dating from the 13th century, and Svinnegarn was an important place of pilgrimage during the Middle Ages with one of Sweden's most famous sacrificial wells. So there you go. Thank you Wikipedia. It's worth noting that the parish of Svinnegarn doesn't exist anymore, it's been merged with a bigger parish since 2006.

Erm, the plot then? Well, there is an excellent summary and review here on Beneath the Stains of Time - a blog I just googled myself to and think I'll really enjoy! Bookmarked! That's handy for me. I wasn't superkeen on the book, something about the tone of it just annoyed me a little. Too much of Nora (heroine) stepping "lightly" and being slim and gorgeous. Part of it was maybe a translation woe though. The translator was competent but got some things wrong (would you like an example? well tough, my note-taking days are over :((( ). What I do remember was how referring to someone's age as "in his sixties" is translated as "i sextiotalet". That is bizarre-sounding now. Did people really say that? Or is that one of the mis-translations?

Ok, so then I read The Deadly Climate, or Mördande atmosfär as it is in Swedish.

Such old! Ha, I only speak doge because it drives my eldest INSANE. Her eyes close and she makes an expression of genuine PAIN.
One of the covers featured in Pretty Sinister Books' post. Very pleased about that. Also, curves, what?











I enjoyed this one more. The atmosphere is dense and there is a feeling of suspense. If I'm perfectly honest I don't completely buy the basic storyline, and that they can find no safe place for the witness to murder apart from in a house that is apparently under siege - but no matter, it's still enjoyable.

Look, it was somebody's homework: