Janet Evanovich: Twelve Sharp
Refound my love for this series a little.
Lindsey Davis: Alexandria
Ditto. I liked how the big war in the great library is between weeders and non-weeders.
There was a third, but I can't find my note of this at the moment ... I had to return them all to the library you see.
Showing posts with label Lindsey Davis. Show all posts
Showing posts with label Lindsey Davis. Show all posts
Thursday, June 21, 2012
Tuesday, February 03, 2009
Lindsey Davis: Saturnalia
A new (for me) Falco novel! Splendid. Like I've said before somewhere, I get quite annoyed with Davis' style of writing, but I keep coming back because I *heart* the characters. In this one it is the holiday of Saturnalia, and the Germanic tribe leader and priestess Veleda has been secretely taken to Rome for execution. When she escapes, and a man in the house she stayed at is found decapitated, Falco is called in to find her discreetly. Adding to the need for discretion is the fact that his (married) brother-in-law Justinus has Veleda as his first love, and now disappears. Into the mélange is also thrown a load of murdered vagrants, which leads Falco to discuss serial killers. I was rather miffed at this 20th century word being used in a novel set in ancient Rome. Amusingly Davis has a little afterword to excuse and defend and tip us a wink about her many neologisms, which I for a moment there thought would mean her use of modern language like that, but it meant her self-coined expressions and how they make the translators of her books tear their hair out.
Saturday, November 18, 2006
This week's "back at work"
There's not much to do at work now for various reasons, so I sit and read.
Deborah Crombie: In A Dark House
Another Duncan Kincaid and Gemma James mystery. Not bad. I does still annoy me that she quite obviously writes for foreigners, i.e. the US market. A few too many cups of tea, but there are less in this book. This one is about an arsonist, and a women's shelter, and a kidnapped child (she's in the dark house). It's an okay read.
Ben Elton: Dead Famous
I never though Ben Elton wrote anything resembling crime fic, but my friend E said he did. So I picked this one up for a try. I really enjoyed it - it's slightly exaggerated, but still fun. A murder takes place in front of the cameras in the Big Brother house (except Elton calls it House Arrest). The book pokes fun at the reality tv craze - always enjoyable - and it also quite a clever whodunnit. It's even for half the book a whodiedthen, since we don't know who the victim is from the start. Definitely possible TV-script novel.
Lindsey Davis: Shadows In Bronze
The second book in the Falco series, but I hadn't read it before. I liked it more than some of the later ones, since the tentative romance between Helena Justina and Marcus Didius is well described and very moving and effectively counteracts the crime noir thing. Later in the series, when the romance is more certain, Davis tends to lose some of that emotional impact between the cynical one-liners.
Her writing style still tends to annoy me. I wish her editor would tell her to lose the ... she's so fond of at the end of sentences. It breaks the reading flow. And some of the exclamation marks too, please.
This is the one where Falco has to tidy up lose ends from the lead/silver conspiracy in the first book (The Silver Pigs). Helena Justina becomes involved since her ex-husband was.
Peter Dickinson: The Seals
Dickinson is always enjoyable to read. He assumes a lot of intelligence from his readers, and we try to make him proud, don't we? The first few pages are always difficult to follow, since he throws you straight into the story, and then gradually gives you clues to work out the background. I wonder if he's ever been filmed - I'd guess not, since you'd have to tidy up the timeline so much that much of the charm would be lost, not to mention the inner thought processes.
This one is about a religious sect whose obsession is building a stone city on a small island off the Scottish coast. A famous Nobel Prize winner has taken refuge with them - but is he protected or imprisoned? Dickinson's police hero Pibble, is summoned in secret by the old man, which sets events into motion.
Laurie R. King: The Beekeeper's Apprentice
Oh, I'd already read this, in Swedish since the library didn't have it in English. But suddenly they did, so I had to re-read it, didn't I? I love the Holmes/Russell novels. *sigh* And in contrast to many other contemporary writers setting their stories in the 20s or 30s, King doesn't make her two heroes too perfect - per definition, Holmes can never be perfect, can he? He may be a great detective, but he is often flawed as a man. And since Russell is his match, she too is not overly sickly sweet.
This first novel is almost the perfect introduction to the two partners. My only problem would be that... oh this has to be written in spoilervision I think! Highlight below to read.
Since we don't become deeply familiar with Russell's and Donleavy's relationship, her betrayal becomes less of a shock to us as readers, and Russell's emotional response a little hard to grasp in full. Thus there is a risk of Russell seeming almost a bit hysterical at the end.
It doesn't really mar the book for me though. I recommend Laurie R. King to everyone, shamelessly!
Deborah Crombie: In A Dark House
Another Duncan Kincaid and Gemma James mystery. Not bad. I does still annoy me that she quite obviously writes for foreigners, i.e. the US market. A few too many cups of tea, but there are less in this book. This one is about an arsonist, and a women's shelter, and a kidnapped child (she's in the dark house). It's an okay read.
Ben Elton: Dead Famous
I never though Ben Elton wrote anything resembling crime fic, but my friend E said he did. So I picked this one up for a try. I really enjoyed it - it's slightly exaggerated, but still fun. A murder takes place in front of the cameras in the Big Brother house (except Elton calls it House Arrest). The book pokes fun at the reality tv craze - always enjoyable - and it also quite a clever whodunnit. It's even for half the book a whodiedthen, since we don't know who the victim is from the start. Definitely possible TV-script novel.
Lindsey Davis: Shadows In Bronze
The second book in the Falco series, but I hadn't read it before. I liked it more than some of the later ones, since the tentative romance between Helena Justina and Marcus Didius is well described and very moving and effectively counteracts the crime noir thing. Later in the series, when the romance is more certain, Davis tends to lose some of that emotional impact between the cynical one-liners.
Her writing style still tends to annoy me. I wish her editor would tell her to lose the ... she's so fond of at the end of sentences. It breaks the reading flow. And some of the exclamation marks too, please.
This is the one where Falco has to tidy up lose ends from the lead/silver conspiracy in the first book (The Silver Pigs). Helena Justina becomes involved since her ex-husband was.
Peter Dickinson: The Seals
Dickinson is always enjoyable to read. He assumes a lot of intelligence from his readers, and we try to make him proud, don't we? The first few pages are always difficult to follow, since he throws you straight into the story, and then gradually gives you clues to work out the background. I wonder if he's ever been filmed - I'd guess not, since you'd have to tidy up the timeline so much that much of the charm would be lost, not to mention the inner thought processes.
This one is about a religious sect whose obsession is building a stone city on a small island off the Scottish coast. A famous Nobel Prize winner has taken refuge with them - but is he protected or imprisoned? Dickinson's police hero Pibble, is summoned in secret by the old man, which sets events into motion.
Laurie R. King: The Beekeeper's Apprentice
Oh, I'd already read this, in Swedish since the library didn't have it in English. But suddenly they did, so I had to re-read it, didn't I? I love the Holmes/Russell novels. *sigh* And in contrast to many other contemporary writers setting their stories in the 20s or 30s, King doesn't make her two heroes too perfect - per definition, Holmes can never be perfect, can he? He may be a great detective, but he is often flawed as a man. And since Russell is his match, she too is not overly sickly sweet.
This first novel is almost the perfect introduction to the two partners. My only problem would be that... oh this has to be written in spoilervision I think! Highlight below to read.
Since we don't become deeply familiar with Russell's and Donleavy's relationship, her betrayal becomes less of a shock to us as readers, and Russell's emotional response a little hard to grasp in full. Thus there is a risk of Russell seeming almost a bit hysterical at the end.
It doesn't really mar the book for me though. I recommend Laurie R. King to everyone, shamelessly!
Sunday, January 29, 2006
Deaver and Davis
Jeffery Deaver, The Devil's Teardrop: I'm on a bit of a Deaver-kick at the moment. Unfortunately I think the library may have run out of books now... Anyway, I merrily picked up two non-Rhyme/Sachs novels lately. I didn't really want to, because one gets very attached to an author's detectives you know, but I wasn't disappointed. Anyway, in this one Rhyme has a small cameo, which was nice.
Storyline: a man hides a silenced machine gun in a bag, and fires wildly in a crowd, killing several. The police get a note from someone else, wanting money to stop the shooter. The only lead is the note, so Parker Kincaid, former FBI document expert, is asked to come back to help find the man behind the scheme. Kincaid is a nice hero, I was pleased to make his acquaintance. He is a single father, who has promised to give up his police career in order to gain custody of his children and protect them from a selfish, alcoholic mother. However, he can't help but get involved in the case when the shooter kills children. Juxtaposed with him is Margaret Lukas, a tough-as-nails federal agent. They make a good pair.
The best thing with this book is that it really did fool me. There are several false leads, and I was sucked in and fooled, I admit it. Original yet credible plot, definitely well worth reading! Recommended!
Deaver, Garden of Beasts: For a change, this is an historical novel, set in Berlin during the Olympic games of -36. A New York professional killer (a button man), is covertly hired by the US government to kill the mastermind behind Germany's rearmament scheme. In exchange he's going to get a clean slate and a fresh start. Once in Berlin our hitman, Paul Schumann, can't help but get a little too personally involved as he discovers what fear and oppression people are living under.
I really wouldn't want to give away too much of the plot, because just as with The Devil's Teardrop it was pleasantly complicated and had me fooled. The ending is perhaps a little too sentimental, but I wouldn't want to let that colour my perception of the whole book. On the whole it's very enjoyable, and cleverly explores questions of good and evil, morality and immorality.
The book is marred a tiny bit by Deaver's over-eagerness in showing us that he's done his research well. There are a few too many explanations into German expressions and a few too many dropping of brand names of the times. In my opinion a lot of writers fall into this trap when they are writing about an era or a country not perfectly familiar to them - for example all these American writers who write detective novels set in England; on the whole people drink just a few too many cups of teas, and they're referred to as cuppas just a little too much. If you see what I mean.
Nevertheless, I was pleasantly surprised an impressed by this one. Obviously a story he was eager to tell. I'd have to say well done!
Lindsey Davis, See Delphi and Die: Another Falco novel! His wife's (Helena's) brother, Aulus, has beensent to Greece to study law. Almost immediately the family receives a letter from him, teling about a murder that has occurred within a group of tourists he came across. His mother becomes worried that her eldest son will be in danger, so sends Falco off to investigate.
As I think I've previously said, I love the characters and historical detail of these books, even though the writing style is really too choppy and disjointed to be perfect. They would have been so much better with better editing, in my opinion. Nevertheless it's charming how Davis manages to insert a modern phenomenon as tourism into Ancient Greece and get away with it. The ending of this one leaves a lot to be desired. It's very abrupt and it almost seems as though she were fed up with the story.
Storyline: a man hides a silenced machine gun in a bag, and fires wildly in a crowd, killing several. The police get a note from someone else, wanting money to stop the shooter. The only lead is the note, so Parker Kincaid, former FBI document expert, is asked to come back to help find the man behind the scheme. Kincaid is a nice hero, I was pleased to make his acquaintance. He is a single father, who has promised to give up his police career in order to gain custody of his children and protect them from a selfish, alcoholic mother. However, he can't help but get involved in the case when the shooter kills children. Juxtaposed with him is Margaret Lukas, a tough-as-nails federal agent. They make a good pair.
The best thing with this book is that it really did fool me. There are several false leads, and I was sucked in and fooled, I admit it. Original yet credible plot, definitely well worth reading! Recommended!
Deaver, Garden of Beasts: For a change, this is an historical novel, set in Berlin during the Olympic games of -36. A New York professional killer (a button man), is covertly hired by the US government to kill the mastermind behind Germany's rearmament scheme. In exchange he's going to get a clean slate and a fresh start. Once in Berlin our hitman, Paul Schumann, can't help but get a little too personally involved as he discovers what fear and oppression people are living under.
I really wouldn't want to give away too much of the plot, because just as with The Devil's Teardrop it was pleasantly complicated and had me fooled. The ending is perhaps a little too sentimental, but I wouldn't want to let that colour my perception of the whole book. On the whole it's very enjoyable, and cleverly explores questions of good and evil, morality and immorality.
The book is marred a tiny bit by Deaver's over-eagerness in showing us that he's done his research well. There are a few too many explanations into German expressions and a few too many dropping of brand names of the times. In my opinion a lot of writers fall into this trap when they are writing about an era or a country not perfectly familiar to them - for example all these American writers who write detective novels set in England; on the whole people drink just a few too many cups of teas, and they're referred to as cuppas just a little too much. If you see what I mean.
Nevertheless, I was pleasantly surprised an impressed by this one. Obviously a story he was eager to tell. I'd have to say well done!
Lindsey Davis, See Delphi and Die: Another Falco novel! His wife's (Helena's) brother, Aulus, has beensent to Greece to study law. Almost immediately the family receives a letter from him, teling about a murder that has occurred within a group of tourists he came across. His mother becomes worried that her eldest son will be in danger, so sends Falco off to investigate.
As I think I've previously said, I love the characters and historical detail of these books, even though the writing style is really too choppy and disjointed to be perfect. They would have been so much better with better editing, in my opinion. Nevertheless it's charming how Davis manages to insert a modern phenomenon as tourism into Ancient Greece and get away with it. The ending of this one leaves a lot to be desired. It's very abrupt and it almost seems as though she were fed up with the story.
Tuesday, December 20, 2005
Summary and opinion on a whole load of books...
... I'm so way behind on my blogging.
Lindsey Davis, Scandal Takes A Holiday: I have a soft spot for Davis' books on the Roman informer (PI) Marcus Didius Falco - even though I'm not all that fond of her writing style, if I'm to be completely honest. It's a bit choppy. But the historical learning to be had, the lovable characters and the humour have me coming back for more. It's like Asterix that way. And in another more worrying way - one tends to believe her version of things a bit too much, and it's never a good idea to derive one's knowledge of history from fiction. Almost all the history I (thought I'd) learnt from Asterix turned out to be false, after all...
In STAH Falco goes to Ostia, the port town that forms a sort of entrance to Rome, to look for a gossip-writer named Diocles. Falco's whole family makes an appearance in Ostia, of course, including a long-lost uncle. In his search for the scribe Falco uncovers a kidnapping scheme involving pirates from areas that are now Albania and part of Turkey.
Here's Davis' website (she seems like right craic, she does): http://www.lindseydavis.co.uk/
Maria Lang, Mördaren ljuger inte ensam: Lånade en samlingsvolym med Langs tre första deckare på biblioteket. I MLIE introduceras vi till Puck och Einar Bure, samt vår polishjälte Christer Wijk. På ett sommarställe på en ö i Bergsslagen samlar en grupp människor, och en del oinbjudna gäster orsakar slitningar och spänningar under ytan. Först ett mord, sedan ett till. Det intressantaste med den här boken är "det lesbiska problemet", som Lang försöker vara öppen och fördomsfri inför - åtminstone med tidens mått mätt. Det roligaste, för mig, var en passus där middagsgästerna diskuterar och avfärdar de svenska fyrtiotalisterna (i betydelsen poeter). Detta eftersom en av dessas barnbarn gick på gymnasiet med mig. Annars var det belysande att se hur lite kriget nämns överhuvudtaget, trots att boken skrevs -49. I en samtida engelsk deckare hade det ju fortfarande varit ransonering (väl?)...
Farligt att förtära: Pucks Einar fixar ett vikariat åt henne, som lärare på en gymnasieskola. Under repetition av en skolpjäs kommer spänningar i dagen som kulminerar i ett giftmord på scen under uruppförandet. Ytterligare ett giftmord hinns med senare, samt en dödsskjutning. Folk dör som flugor i en Lang-bok, det är väldigt tröttsamt och orealistiskt. I den här är det mycket prat om "en erotiskt unken atmosfär", vilket känns rätt charmigt - jag menar, det ger en bra bild av tidsandan. Ytterligare plus är skildringen av en gymnasieskola på 50-talet, med examensstress och allt. Onekligen verkar studenterna haft vuxenkrav på sig, på ett helt annat sätt än nu.
Inte flera mord!: Ett yttrande jag helhjärtat instämmer i efter de två första. Men likväl så hittas en död man på gräsmattan när Puck, hennes far samt Einar är på semester i Skoga. Tack och lov mördas inte fler i alla fall. Däremot begår mördaren självmord, men det må vara hänt. Det här var nog den tråkigaste av de tre böckerna, faktiskt.
Som sagt, när Lang är som bäst är hon en bra samtidsskildrare, väl insatt i den akademiska världen. Men på det stora hela saknas djup. Jag kanske läser fler någon gång, men jag vet inte om jag aktivt kommer att söka upp hennes verk.
Deborah Crombie, All Shall Be Well: No. 2 in the Kincaid-James series. I think I've read one of Crombie's before some time, but I'm not sure. Anyway, I like her style. I like her characters. 'Tis all nice, with normal angst-levels. Crombie is American, but seems to have a better grasp on everyday Britons and their society that some other American writers who have taken upon themselves to write detective stories set in The Old World (like, for example, Martha Grimes). There is a bit of place-name-dropping, which is always a give-away that the author is writing for tourists, but not to the point where I'd notice. Not ever having been to London I need those references. I don't think it's overdone. In ASBW Kincaid's terminally ill neighbour Jasmine is found dead. Did she kill herself, as she had previously planned, or was she murdered? Quite good, on the whole.
Leave The Grave Green: No. 3 in the series. Starts off with a young boy drowning, then cuts to the future and another drowning victim, the husband of the boy's sister, now a well-known artist. What I liked best in this one was when one of the suspects talks to Gemma James about the Golden Age detective novel, how it represented order after the chaos of WW1. The detective always got the murderer.
A Finer End: Kincaid's cousin Jack asks for his help after his priest girlfriend is knocked over and almost killed in a hit-and-run. Most of the book takes place without Kincaid and James, and is all about and all over the mysticism supposedly pervasive throughout Glastonbury. IMO this is the worst of the lot I've read so far, too New Age.
Then I accidentally borrowed an Amanda Cross short story collection that I'd already read, but I must still comment on it. But tomorrow, I think.
Lindsey Davis, Scandal Takes A Holiday: I have a soft spot for Davis' books on the Roman informer (PI) Marcus Didius Falco - even though I'm not all that fond of her writing style, if I'm to be completely honest. It's a bit choppy. But the historical learning to be had, the lovable characters and the humour have me coming back for more. It's like Asterix that way. And in another more worrying way - one tends to believe her version of things a bit too much, and it's never a good idea to derive one's knowledge of history from fiction. Almost all the history I (thought I'd) learnt from Asterix turned out to be false, after all...
In STAH Falco goes to Ostia, the port town that forms a sort of entrance to Rome, to look for a gossip-writer named Diocles. Falco's whole family makes an appearance in Ostia, of course, including a long-lost uncle. In his search for the scribe Falco uncovers a kidnapping scheme involving pirates from areas that are now Albania and part of Turkey.
Here's Davis' website (she seems like right craic, she does): http://www.lindseydavis.co.uk/
Maria Lang, Mördaren ljuger inte ensam: Lånade en samlingsvolym med Langs tre första deckare på biblioteket. I MLIE introduceras vi till Puck och Einar Bure, samt vår polishjälte Christer Wijk. På ett sommarställe på en ö i Bergsslagen samlar en grupp människor, och en del oinbjudna gäster orsakar slitningar och spänningar under ytan. Först ett mord, sedan ett till. Det intressantaste med den här boken är "det lesbiska problemet", som Lang försöker vara öppen och fördomsfri inför - åtminstone med tidens mått mätt. Det roligaste, för mig, var en passus där middagsgästerna diskuterar och avfärdar de svenska fyrtiotalisterna (i betydelsen poeter). Detta eftersom en av dessas barnbarn gick på gymnasiet med mig. Annars var det belysande att se hur lite kriget nämns överhuvudtaget, trots att boken skrevs -49. I en samtida engelsk deckare hade det ju fortfarande varit ransonering (väl?)...
Farligt att förtära: Pucks Einar fixar ett vikariat åt henne, som lärare på en gymnasieskola. Under repetition av en skolpjäs kommer spänningar i dagen som kulminerar i ett giftmord på scen under uruppförandet. Ytterligare ett giftmord hinns med senare, samt en dödsskjutning. Folk dör som flugor i en Lang-bok, det är väldigt tröttsamt och orealistiskt. I den här är det mycket prat om "en erotiskt unken atmosfär", vilket känns rätt charmigt - jag menar, det ger en bra bild av tidsandan. Ytterligare plus är skildringen av en gymnasieskola på 50-talet, med examensstress och allt. Onekligen verkar studenterna haft vuxenkrav på sig, på ett helt annat sätt än nu.
Inte flera mord!: Ett yttrande jag helhjärtat instämmer i efter de två första. Men likväl så hittas en död man på gräsmattan när Puck, hennes far samt Einar är på semester i Skoga. Tack och lov mördas inte fler i alla fall. Däremot begår mördaren självmord, men det må vara hänt. Det här var nog den tråkigaste av de tre böckerna, faktiskt.
Som sagt, när Lang är som bäst är hon en bra samtidsskildrare, väl insatt i den akademiska världen. Men på det stora hela saknas djup. Jag kanske läser fler någon gång, men jag vet inte om jag aktivt kommer att söka upp hennes verk.
Deborah Crombie, All Shall Be Well: No. 2 in the Kincaid-James series. I think I've read one of Crombie's before some time, but I'm not sure. Anyway, I like her style. I like her characters. 'Tis all nice, with normal angst-levels. Crombie is American, but seems to have a better grasp on everyday Britons and their society that some other American writers who have taken upon themselves to write detective stories set in The Old World (like, for example, Martha Grimes). There is a bit of place-name-dropping, which is always a give-away that the author is writing for tourists, but not to the point where I'd notice. Not ever having been to London I need those references. I don't think it's overdone. In ASBW Kincaid's terminally ill neighbour Jasmine is found dead. Did she kill herself, as she had previously planned, or was she murdered? Quite good, on the whole.
Leave The Grave Green: No. 3 in the series. Starts off with a young boy drowning, then cuts to the future and another drowning victim, the husband of the boy's sister, now a well-known artist. What I liked best in this one was when one of the suspects talks to Gemma James about the Golden Age detective novel, how it represented order after the chaos of WW1. The detective always got the murderer.
A Finer End: Kincaid's cousin Jack asks for his help after his priest girlfriend is knocked over and almost killed in a hit-and-run. Most of the book takes place without Kincaid and James, and is all about and all over the mysticism supposedly pervasive throughout Glastonbury. IMO this is the worst of the lot I've read so far, too New Age.
Then I accidentally borrowed an Amanda Cross short story collection that I'd already read, but I must still comment on it. But tomorrow, I think.
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